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Untitled Death

Untitled Death
Nr kat.: RAVE020
Format: LP
Kraj: PL
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Wysyłka w 1 dni
Koszt od 10,00 zł
84.90 / 1szt.
In stock
  • PLAY ALL
  • 01 Oh.mp3
  • 02 Untitled Death.mp3
  • 03 Pain Of Outside.mp3
  • 04 Sun And Earth.mp3
  • 05 Anatomie De Lenfer.mp3
  • 06 Arsa And Earth.mp3

 

Teresa Winter's LP debut Untitled Death is a hallucinogenic wormhole of sensuously ambiguous pop and electronic experiments primed for the after-after party and altered states of reception.
Realised thru a mesh of strategies from live, lo-fi tape recordings of synths, samplers and vocals to nascent experiments with algorithmic software, Untitled Death is both a divine revelation of new aspects to Teresa's sound and an expansion of The Death of Rave's as-yet-unidentified aesthetic.
Teresa's zoomed photos of magic mushrooms spattered in popping fluorescent oils which adorn the cover of Untitled Death hint at a more personalised insight and psychoactivity, a proper, lush trippiness. Just like the putative psilocybic experience, Untitled Death naturally comes on in waves of synaesthically-heightened sensuality, from strangely libidinous stirrings to utter, eat-your-heart-out euphoria with a spectrum of hard-to-explain and unexpected sensations between.
We can hardly recall a more seductive album opener than Oh, which blossoms from plaintive drum machine and chiming pads to a half- or mis-heard beckon I really like it / when you let yourself go / I really want you inside me / I want to make you my own', before curdling into bittersweet partials and deliquescent hooks as earworming as anything from AFX's SAW 85-92 classic.
It's devastating in its simplicity and almost blush-worthy in effect, and is soon enough lopped curtly into the soundtrack-like enchantment of Untitled Death, which could almost be a cue from some '60 Polish or Czech art-house film, serving to neatly set up the prickling, windswept scene of romantic introspection and dereliction in Pain Of Outside - perhaps Teresa's most accomplished and affective pop turn to date, think Grouper awkwardly blissing out at 9am in the corner of a successful sesh/campsite/free party.
From that perfectly damaged side closer, the B-side opens to a different sort of spine-freezing beauty and sense of abandonment with plangent, dissonant harmonics describing rugged Yorkshire wolds and coast as much as a radiant lightshow on the back of flickering eyelids.

 

 

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