Pewna fanka Toma Jobima, antropolożka, porzuciła sztukę i zajęła się Tai Chi. Potem nagrała album. Wschodnie motywy, wiolonczela, wszystko w otoczce brazylijskiego modernizmu... niezwykłe!
While most records invite you to listen, this retrospective celebration of Brazilian songwriter, composer and multi-instrumentalist Priscilla Ermel feels more like something that's inviting you into its own universe. A strange, exotic place to most western ears, if World Music wasn't such a generic and painfully sweeping term we'd apply it here. Sounds of the Amazon, sounds of the other, sounds of traditional emigre folk and a load of stuff that defies accurate description, this collection is impossible not to fall in love with. Having spent time learning the sonic ways of indigenous tribes in her homeland, then taking those instruments (among others) and re-appropriating them via field records and electronic synthesisers, she manages to create things of sombre beauty ("Meditacao"), work of percussive seduction ("Americua") and tracks packing mysterious, fantastical, futurist experimentation ("Mensageiro").