Josh Eustis and Charles Cooper's 2001 debut as Telefon Tel Aviv hears a welcome reissue through Ghostly International, restocking its salving, post-trip-hop through IDM frequencies on full remastered vinyl a full 25 years on. Like William Basinski's Disintegration Loops, this record was first issued only a few weeks after the 9/11 disaster; though the pair set out to make what Eustis called "a hard club record", it landed on a different strip entirely, ending up on shuttering, glassy IDM through edit-heavy glitch, hand-spun through Chicago house and New Orelans bounce influences, and in our opinion suiting the shocked Western zeitgeist much better. The loosely trombone-shaped figure on the front cover evokes a machine-learnt image of US musical heritage, and its jazz peaceful jazz flexure can be heard throughout, if not best in the lead track 'Fahrenheit Far Enough', with its soft-flashing arpeggios and electronic slide bass.