Manchester-based Muslimgauze appears here in miniature, but nothing about this single feels slight. Side A hits fast and compact, a tightly wound burst of looped percussion, clipped vocal fragments and smeared synth tone, all pressed into just over three minutes of nervous motion. It feels impatient, almost overclocked, the elements blurring together into a single, abrasive pulse. Flip it over and the energy loosens. The same materials are stretched across a longer frame, rhythms spaced wider apart, the sampled voice drifting in slowly rather than striking immediately. Where the first side jolts the body, the second settles into a steady and soporific sway. aken together, it's a sharp reminder of how much control Jones could exert with very little, calibrating tension and release with forensic precision.