Informacje o produkcie

Tremulant EP (Transparent Vinyl)

Tremulant EP (Transparent Vinyl)
Nr kat.: 4250795605027
Format: 12"
status_icon
Produkt na zamówienie
Wysyłka w 16 dni
Koszt od 14,99 zł
74.90 / 1szt.
In stock

 

 Tremulant From the very beginning, The Mars Volta was conceived as more than simply a new vehicle for Omar Rodriguez-Lopez and Cedric Bixler-Zavala. The group was to be a rebirth, a redrawing of their creative frontiers, a repudiation of the stylistic provincialism that had ultimately spelled the end of their previous band, At The Drive-In, a year earlier. So, as The Mars Volta’s debut release, 2002’s Tremulant EP had much to accomplish within its three tracks and 19 minutes: to define the group’s ambitions and their possibilities, to sketch out a limitless horizon for their future adventures, and to shake loose the macho following they’d accrued with At The Drive-In’s final, breakthrough LP Relationship Of Command, the dudes in the moshpit who just wanted to slam-dance to post-hardcore riffs.


Tremulant put this uncompromising ethos into play from the very off, first track Cut That City opening with two minutes of amplifier hum, synthesiser scree and drum-machine pulse. “That introduction was immediately going to weed out all the posers,” says Cedric. The music that followed, meanwhile, announced The Mars Volta’s visionary new sound, an embryonic version of everything that would follow. The fearless rhythms drew from the traditional Caribbean and Latin music Omar was raised on, its staccato guitar riffs accompanied by Ikey Owens’ infernal organ stabs, Eva Gardner’s canny bass-lines and Jeremy Michael Ward’s inventive sound manipulations, its frenetic, restless panic-rock given to exultant breakdowns, like Omar’s beloved salsa. Cedric, meanwhile, was stretching beyond the fiery bark he’d established with At The Drive-In, singing more than screaming, and singing often in Spanish.

The centrepiece, Concertina, is more ballad than brawn, pushing Cedric and band beyond any hitherto identified comfort zones. “It was the first time I was really trying to sing,” Cedric remembers. “Producer Alex Newport would listen to me do a take, and just say, ‘No, do it again.’ There was no fudging it, like in punk-rock. I just had to try again and again, harder and harder, until I nailed it. But I remember hearing the final outcome, and being so excited by it.” Here was a group reinventing their musical lexicon in real-time, their grasp exceeding their considerable reach, their sound unlike anything else happening within the underground scene they would swiftly transcend.

“To me, the EP was a combination of Throbbing Gristle, Mahavishnu Orchestra, King Crimson and Bjork,” says Cedric, though even this eclectic clutch of references hardly does justice to Tremulant’s genre-emulsifying sprawl, segueing from splenetic punk-salsa pell-mell to meditative, dubbed-out drum machine symphonies with unerring confidence. More than just a portrait of the band in its germinal state, Tremulant captured a Mars Volta that would never exist again, being their sole release with their original bassist. In addition to sculpting the group’s low-end, Eva – who’d studied ethnomusicology at UCLA – aided the untutored Omar as he grappled with the complexities of musical theory, and helped the group synthesise one of their guiding influences, the incendiary Afrobeat of Fela Kuti. “The EP is a promise of what could have been,” says Omar, noting that Eunuch Provocateur and Cut That City possess a groove unique within the group’s discography, “because Eva was so deep in the pocket.”

By the time Tremulant was released – on their own label, at their own expense, part of an ongoing effort on Omar’s part to prove what they could achieve under their own steam – Gardner was gone, and The Mars Volta were about to undergo another crucial metamorphosis. And while, in context of everything that followed, the Tremulant EP might seem like a dry run, a prologue, a pre-echo of what’s to come, it remains an adventurous, confounding and brilliant release in its own right, signalling that The Mars Volta’s unfolding quest would brook no limits and consider no compromises. Beyond this point, there be dragons – but for the fearless, here was an opportunity to climb aboard and take flight.

 

 

Opinie użytkowników
Zapytaj o produkt:

Jeżeli powyższy opis jest dla Ciebie niewystarczający, prześlij nam swoje pytanie odnośnie tego produktu. Postaramy się odpowiedzieć tak szybko jak tylko będzie to możliwe.

E-mail:
To pole jest wymagane do złożenia zamówienia.
Pytanie:
To pole jest wymagane do złożenia zamówienia.
pola oznaczone - To pole jest wymagane do złożenia zamówienia. - są wymagane

Dbamy o Twoją prywatność

Nasz Sklep wraz z Zaufanymi Partnerami przetwarza Twoje dane osobowe zbierane w Internecie np. IP Twojego urządzenia oraz informacje zapisywane za pomocą technologii służących do ich śledzenia i przechowywania, takich jak pliki cookies, sygnalizatory www lub innych podobnych technologii.

Pliki cookies wykorzystywane są w celu realizacji usług zgodnie z Polityką prywatności, a także w celach analitycznych, marketingowych, oraz aby dostosować treści do Twoich preferencji i zainteresowań w tym także do wyświetlania spersonalizowanych treści (reklamowych) oraz do poprawnego działania strony internetowej. Warunki przechowywania lub dostępu do cookie możesz określić w Twojej przeglądarce.

Klikając „ZGADZAM SIĘ, CHCĘ PRZEJŚĆ DO STRONY” wyrażasz zgodę na stosowanie ciasteczek zgodnie z ustawieniami Twojej przeglądarki oraz na dostosowanie treści na stronie naszego Sklepu do Twoich preferencji, a także w celach statystycznych i marketingowych, w tym do wyświetlania spersonalizowanych treści (reklamowych). Zgodę możesz wycofać w dowolnym momencie poprzez usunięcie plików cookies z przeglądarki z danego urządzenia końcowego.

Jeżeli klikniesz „NIE WYRAŻAM ZGODY” - nie będzie możliwe wejście na stronę Sklepu.

NIE WYRAŻAM ZGODY
ZGADZAM SIĘ, CHCĘ PRZEJŚĆ DO STRONY
pixel