Ex-Terrestrial associate Richard Wenger - better known as R Weng - dons a new alias here, for an album that's apparently the result of a "three-year experiment in minimal synth maximalism". In practice, that means a hugely enjoyable trip through Radio Workshop style synthesizer motifs, hypnotic machine rhythms, 1970s style electronic music soundscapes, jaunty turn-of-the-90s IDM and occasional forays into decidedly dubbed-out, synth-driven grooves. It's a hugely enjoyable collection of cuts, with Wenger providing finished tracks that sound like they could have been made in 1979 (or in some cases, '69) rather than 2019.