What a beautiful and strange world it is, capable of presenting work like Tilt. Luke Blair is now 15 years into his productions as Lukid, and we still don't now what to expect from him, ever. Sure, there are some totems - lack of rigidity in beats and various pieces, one foot in the darkened rooms of leftfield venues, another in the serene wilderness of ambient dreams - but variety and breadth are the two operative words when considering his output. Here, then, we're invited into a place that has so many reference points it's hard to know where best to begin. The strange syncopation of 'Anatolia', which sounds like harmonies fed through crystal and then strung out over the top of fidget drums. Or maybe the twinkling, plink and plonk of 'Daisy Cutter', a subtly uplifting beat-less paradise. Possibly 'Belly', with its lo fi take on UK club. Definitely 'End Loop', and that scuzzy, emotional refrain.