Informacje o produkcie

Road Fever

Road Fever
Label: Soundway
Nr kat.: SNDWLP183
Format: LP
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Wysyłka w 1 dni
Koszt od 16,99 zł
134,90 zł
107.92 / 1szt.
Oszczędzasz 20% (26,98 zł).
In stock
  • PLAY ALL
  • 01 Ransum - Soca Panda Riddim.mp3
  • 02 P6 - Smash Or Pass Riddim.mp3
  • 03 Shazdown - Bouyon Beam.mp3
  • 04 DJ Demafidem - On Di Road.mp3
  • 05 G6 Productions - 2 Stroke Riddim.mp3
  • 06 Bad Sound-DJ Marfox - Both Twanche Riddim Refix.mp3
  • 07 Veaygel - Dirty Lows Riddim.mp3
  • 08 Krome Productions - Tic Tac Toe Riddim (part 2).mp3
  • 09 LMT Mafia - DAF Riddim.mp3
  • 10 P6 - Heat Wave Riddim.mp3
  • 11 Veaygel - Fire Ball Riddim.mp3
  • 12 Slaughter Arts Media - Bad Weather Riddim (part 2).mp3
  • 13 Ransum - Walk It Riddim.mp3
  • 14 ScarnX - Midnight Fever Riddim.mp3

 

New Generation Carnival Riddims from St. Lucia and Dominica.

A hurricane of turbo-charged, body-buzzing tracks collide on Road Fever, a compilation of razor-produced, road-tested instrumental riddims from St. Lucia, Dominica & Guadeloupe that showcases the producers forging the future of Caribbean music in 2025.

Road Fever draws together instrumental Dennery Segment and Bouyon riddims originally made for vocalists, presented for the first time as stand alone pieces of music. Distilling carnival riddims down to the bare bones, producers push minimal 150+ bpms, FL-percussion packs, DJ/vox samples & synth riffs, bridging trap, drill, dancehall, sped-up Haitian konpa & Angolan kuduro

Ricocheting at the intersection of TikTok culture, best heard blasted through walls of speakers travelled by stage-sized carnival trucks or via bluetooth car speakers, St.Lucia’s ‘Dennery Segment’ sound, (as iconic producer, G6 described in an interview), “sparks your inside; a sound you can’t hear and not move”.

Amsterdam-based, Curaçao-raised compiler Rozaly echoes G6: “Once you hear it, you can’t unhear or unfeel it. This is a musical movement with an entire history with so many relevant reasons why it still exists, and why it exists the way it exists right now”. Rozaly concludes, “there is nothing more simple, let the artists speak.”

 

 

 

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