Ricardo Villalobos' Salvador trilogy has long been spoken about in hushed tones - three records dropped between 1998 and 2000 on Frisbee Tracks, capturing the Chilean-German producer as he found his stride, rewriting what "minimal" could mean. RAWAX now reopens the archive, presenting each record anew, reshuffled into standalone statements. Part two features 'Lugom-Ix', a 13-minute meditation of shifting percussion and ghostly harmonic suggestion and 'Suesse Cheques', which pushes harder into rubbery bass repetition and subliminal voices caught in the mix. Listening back, you can hear why Villalobos became such a singular figure - it's music that disassembles house and techno into its smallest moving parts, then rebuilds them into endlessly mutating puzzles. This is the blueprint for countless after-hours yet to come.