Informacje o produkcie

Imaginary Lines

Imaginary Lines
Label: Further
Nr kat.: FUR106
Format: LP+MP3
Produkt niedostępny
Wysyłka w dni
Koszt od 15,99 zł
89.00 / 1szt.
Out Of Stock
  • 01 Aquarius.mp3
  • 02 Triangulum.mp3
  • 03 Orion.mp3
  • 04 Oiseau de Paradis.mp3
  • 05 Andromede.mp3
  • 06 Cassiopee.mp3


Deluxe LP w 180g, Reverse Board Sleeve, MP3 Download

Jonathan Fitoussi is a French composer and audio engineer working at the Institut National de l’Audiovisuel – INA - Recorded with EMS Synthi AKS, Sequential Circuits Pro-One, and YC45D electric organ. - Mastered by Rahshad Becker @ Dubplates & Mastering - Seven Aquatints (1973) artwork licensed from Robert Mangold

Tracklist LP:

A1 Aquarius (6:51) , A2 Triangulum (5:39) , A3 Orion (4:43) B1 Oiseau de Paradis (5:24) , B2 Andromede (6:00) , B3 Cassiopee (6:58)

Short info:

“The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell.” Rebecca Solnit The above quote by the American author Solnit inspired Parisian producer Jonathan Fitoussi’s debut album for Further Records, Imaginary Lines. He used those words and the concept of Harmony Of The Spheres to create the six ravishing interstellar evocations on Imaginary Lines, to spin his own intriguing yarns about the cosmos. While conjuring the vastness of space, Fitoussi imbues the journey with profound feelings of awe and beauty. “This idea that the constellations are an imaginary representation that man drew in the sky to serve as landmarks in space and on Earth is greatly appealing to me, and works very well with the story behind this album, on which each song title bears the name of a constellation,” Fitoussi says. “With Imaginary Lines, I wanted to work with this idea as its core; on one hand geometrical and linear, like the shape of the constellations, characterized by the use of repetitive sequences, and on the other hand, through sections of improvised organ to evoke the more spiritual dimension, and l’invitation au voyage.” Imaginary Lines sounds like it was made with acute academic rigor yet it is also lavishly beautiful and sensuous. “I like having a mixture of a solid base to work from.”



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