Four years have passed since Asymmetric owner Inigo Kennedy's last album, the dizzyingly eclectic tour-de-force that was Vaudeville. Like its' predecessor, Strata takes a distinctively widescreen approach, moving from the sweeping, cinematic strings and pseudo-orchestral movements of "Clarion Call (Coda To Nothing)", to the gentle, acid-flecked IDM brilliance of "Oblivion", via warming early morning ambient (the dub techno influenced crackles and chords of "Stillness Expanded"), razor-edged industrial electro fuzz ("Breaking Point") and a swathe of techno workouts. These range from the punchy and dreamy ("Shudder"), to the dark and intense (foreboding highlight "Magma"), confirming the experienced British artist's production mastery.