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Salm Volume One: Gaelic Psalms From The Hebrides Of Scotland

Salm Volume One: Gaelic Psalms From The Hebrides Of Scotland
Nr kat.: ALE007
Format: LP
Styl: Classical
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Produkt na zamówienie
Wysyłka w 17 dni
Koszt od 15,49 zł
74.90 / 1szt.
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  • PLAY ALL
  • 01 Psalm 16-8-9 Kilmarnock Calum Martin (Tong).mp3
  • 02 Psalm 9-10-11 Montrose Angus Graham (Barvas).mp3
  • 03 Psalm 48-13-14 St David Rev James Maciver (Knock).mp3
  • 04 Psalm 57, Verse 1 Martyrdom John Macsween (Tarbert).mp3
  • 05 Psalm 79-3-4 Martyrs Donald J Macdonald (Barvas).mp3
  • 06 Psalm 63-2-3 New London Donald Macleod (Bayble).mp3
  • 07 Psalm 103-1-2 Dundee Rev Neil Shaw (Conon-Bridge).mp3
  • 08 Psalm 16-5-7 Moravia Kenneth A Makay (VIG).mp3
  • 09 Psalm 13-1-2 Walsall Murdo Maclennan (Marvig).mp3
  • 10 Psalm 45-13-14 Bedford Murdo Kennedy (Marving).mp3
  • 11 Psalm 221-2 Bangor Iain Macaskill (Tolsta).mp3
  • 12 Psalm 133 Stornoway John Murdo Martin (Portree).mp3

 

The recordings of Gaelic Psalm singing presented in the release are among the best ever captured. They document a living tradition, a form of religious singing from the Hebrides in Scotland, which is still practiced in Lewis. In Gaelic psalm singing, a precentor leads, and from here voices follow, moving together in great swells like the murmurations of birds.
* These recordings of Gaelic Psalm singing were originally made over two evenings in the Back Free Church on the Isle of Lewis in October 2003. The singing was spontaneous and totally unrehearsed. The recordings are now presented on vinyl for the first time by Arc Light Editions.
* This is music that is transcendent and together, about the individual and the earth, movingly spiritual with or without belief. The sound comes in great waves, swells of sound that break and roll around the space. The texture relies on the individuals: this is group singing where the individual is preserved, elevated, but together.
* A precentor leads off with the first lines of a psalm, and the congregation follows, some faster than others, and each one remains discernible. In his notes to the original release, Calum Martin writes that the form, called precenting (where one person puts out the line and the congregation responds) while not exclusive to Gaelic free church traditions, is in Lewis particularly influenced by the pibroch style of free ornamentation. It's through this, he says, that the distinctive emotional swell of sound emerges. The sound relies on the congregation's individual responses to the melody and the individual precentor's leading. The musical term is free heterophony.
* Arc Light Editions has worked directly with DR Macdonald at the Bethesda Hospice and Calum Martin on this release, and we thank them for their time. A portion of the profits from this release go directly to Bethesda Hospice, in accordance with the original release.

 

 

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