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Shravanam (180g)

  • Tradycyjna muzyka południowoindyjska w wykonaniu słynnej śpiewaczki nominowanej niedawno do Oscara. Pieśni z tej płyty kierowane są do bogini Śiwy. Są długie, minimalistyczne i angażujące. Uwaga! Płyta nacięta od tyłu

Shravanam (180g)
Nr kat.: TIME004
Format: LP+MP3
W magazynie
Wysyłka w 3 dni
Koszt od 15,49 zł
139.90 / 1szt.
In stock
  • 01 Sada Bala (Slokam).mp3
  • 02 Bhajeham Bhajeham.mp3
  • 03 Kalimaheshwari.mp3


Reverse cut vinyl (plays from inner groove to outer groove), download code with bonus tracks, 180g Heavy vinyl, limited Obi for the first pressing. Liner Notes: Jeremy Gilbert (University of East London) Remastered: Claudio Passavanti at Doctor Mix Studios Curator: Kay Suzuki

Plus two download only tracks:
Keshvaya Namaha / Raghavam

For Time Capsule's fourth effort they’ve selected one of classical Indian vocalist Bombay S Jayashri’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi.
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kalimaheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine.
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

Bombay Jayashri will be performing live at the Barbican on 11 October 2019 and will be participating in a panel discussion and Q&A on Women In Indian Classical Music on 13th October as part of the Darbar festival.



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