Nieoficjalne wydanie przeróbki piosenarki Kelsey Lu, do tego kolejny numer na ulubionym samplu z The Supremes, a pomiędzy nimi zakamuflonwany numer „Never Left”, którego akurat Detroitczyk raczej nie zrobił
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Something slightly different here from one of Detroit's most storied producers who - somewhat surprisingly - has gone against type and decided to include a full vocal on "Poor Fake (Remix)", the mesmerising and melancholic A-side of his latest release. The vocal in question comes from an uncredited Kate Bush sound-alike, whose distinctive drawl works in perfect unison with Smith's moody Detroit bassline, snappy machine beats and celestial chords. Over on the flip the former Motor City street racer makes merry with some classy disco samples on feel-good workout "Bullshit Baby", before brilliantly playing around with the same Diana Ross sample he used on 2004's "Day", on the throbbing, peak-time ready loop jam that is "75&Day".