Just months after the landmark A Love Supreme session in December 1964, John Coltrane led the classic quartet - McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums - through a set that captures the pivot into his final, more liberated phase. 'Chim Chim Cheree', plucked from Disney's Mary Poppins, becomes a hypnotic modal vamp, stretched into near-transcendence. The 13-minute 'Brazilia' rides a relentless swing, opening space for Tyner's sparkling runs and Coltrane's increasingly abstract flights. 'Nature Boy' brings in Art Davis on second bass for a brooding, slow-burn exploration, while 'Song of Praise' closes with spiritual fervour, its theme rising like a hymn from the maelstrom. It's an essential document of Coltrane embracing freedom without losing the deep lyricism that anchored his sound.