The latest full-length from Kent-born producer and On-U Sound founder Adrian Sherwood is a dense, dubwise dispatch that fuses decades of experimentation into a coherent, future-facing whole. While unmistakably bearing his trademark echo chamber aesthetic, it stretches beyond the confines of genre-drawing from industrial, ambient, and post-punk dialects with effortless control. Opener 'The Collapse Of Everything' sets the tone with lurching drums and abstract pressure, before 'Dub Inspector' and 'The Well Is Poisoned (dub)' double down on disorientation through reverb-slicked low end and tape-warped FX. 'Body Roll' twists that tension into something loucher and more sensual, while 'Battles Without Honour & Humanity' nods toward cinematic dub-noir. On the flip, 'Spaghetti Best Western' and 'The Great Rewilding' offer playful detours into surreal soundtrack territory. By the time 'Hiroshima Dub Match' and closer 'The Grand Designer' land, Sherwood's expansive sonic vision feels both apocalyptic and weirdly hopeful. With contributions from Brian Eno, Doug Wimbish and Keith LeBlanc, plus mastering from Frank Merritt at The Carvery, this is an urgent, richly engineered record from a producer still pushing boundaries.