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Lo Siento Mucho Pero No Hablo Tu Idioma

Lo Siento Mucho Pero No Hablo Tu Idioma
Label: Tartelet
Nr kat.: TARTALB009
Format: 2LP
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Koszt od 16,99 zł
109.90 / 1szt.
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  • PLAY ALL
  • 01 Entrance.mp3
  • 02 Level Zero.mp3
  • 03 No Hay Trabajo Para Mi.mp3
  • 04 Albania FM (feat Funkycan).mp3
  • 05 Intershop.mp3
  • 06 Midi Break 1.mp3
  • 07 Srrr.mp3
  • 08 Midi Lisa.mp3
  • 09 Funk.mp3
  • 10 Master Quest.mp3
  • 11 Y.mp3
  • 12 Arcadia.mp3
  • 13 Termina (feat Gerry Franke).mp3
  • 14 Rush.mp3
  • 15 Lozt (feat Ludi).mp3
  • 16 Midi Break 2.mp3
  • 17 Shrimp.mp3
  • 18 All My Circuits.mp3
  • 19 Burning 4 U (feat Chrissley Benz).mp3
  • 20 Exit.mp3

 

Four years after his breakthrough, Max Graef returns to Tartelet Records with his second solo album. A dungeon dub symphony in four parts, Lo Siento Mucho Pero No Hablo Tu Idioma is an album’s album. Brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of Graef’s most unique music to date. Not interested in repeating old tricks, No Hablo sees Graef on a playful joyride through a whole new crate of influences. Echoes of Japanese video game music bubble through the Zelda-channeling “Master Quest” and dreamy bonus level “Midi Break 1.” “Midi Lisa” and “Intershop” roll out mutant digi-reggae, while “Rush” and “Level Zero” dig deeper into bass and juke. The album also premieres music with Chrissley Benz, a Kazakhstani singer. As Graef explains: “No Hablo is a lot more intuitive with a lot less editing, raw arrangements, filled with experiments of strange instrumentation and rooms. I worked on it in a very unmusical way.” But the record isn’t a universe apart from his previous output. Throwbacks to the tape-deck world of g-funk and 80s boogie are still present, as well as a few psychedelic jazz cuts. The record also sees the return of Graef’s father and guitarist, Gerry Franke, plus long-time collaborators Funkycan and Ludwig. A record of 20 tracks, it covers many bases. It’s your favourite PPU cassette via Ocarina of Time and out through a progressive garage jam, all stitched together in the BBC Radiophonic Workshop. Somehow it all makes perfect sense and reaffirms Graef’s natural-born ear for killer hooks and unique melodies. The album’s title - Lo Siento Mucho Pero No Hablo Tu Idioma - is an elegant and simultaneously ironic way of apologising for not speaking one’s language in Spanish. It’s a fitting metaphor that speaks to Max’s ability to skip effortlessly between musical dialects with style and grace. This album proves it more than ...

 

 

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