Informacje o produkcie

Synthesizer And Percussion (180g)

Synthesizer And Percussion (180g)
Nr kat.: BEWITH050LP
Format: LP
Produkt niedostępny
Wysyłka w dni
Koszt od 15,49 zł
99.90 / 1szt.
Out Of Stock
  • 01 A Hawkshaw & B Bennett - Mon Amour.mp3
  • 02 A Hawkshaw & B Bennett - Oddball.mp3
  • 03 A Hawkshaw & B Bennett - Daytripper.mp3
  • 04 Alan Hawkshaw - Mile High Swinger (version A).mp3
  • 05 Alan Hawkshaw - Mile High Swinger (version B).mp3
  • 06 A Hawkshaw & B Bennett - Auto-Pilot.mp3
  • 07 A Hawkshaw & B Bennett - Pacesetter.mp3
  • 08 A Hawkshaw & B Bennett - Home Run.mp3
  • 09 A Hawkshaw & B Bennett - Driving Force.mp3
  • 10 A Hawkshaw & B Bennett - Action Man.mp3
  • 11 Alan Hawkshaw - Funky Chicken.mp3
  • 12 Alan Hawkshaw - Jolly Roger.mp3
  • 13 Alan Hawkshaw - Dumbo.mp3
  • 14 Alan Hawkshaw - Plain Song.mp3
  • 15 Alan Hawkshaw - Fanfair.mp3



Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good. This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore. Opener “Mon Amour” is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal “Oddball” is an incredible hard electro strut with a knocking break. “Mile High Swinger” is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating “Auto Pilot” has a percussive groove elevated by electric piano and synthesizer. Check “Driving Force", “Home Run” and “Pacesetter” for electroid prog-funk dripped in acid squelch. All five final tracks are beatless synth workouts, because they can. As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.



Opinie użytkowników
Zapytaj o produkt:

Jeżeli powyższy opis jest dla Ciebie niewystarczający, prześlij nam swoje pytanie odnośnie tego produktu. Postaramy się odpowiedzieć tak szybko jak tylko będzie to możliwe.

To pole jest wymagane do złożenia zamówienia.
To pole jest wymagane do złożenia zamówienia.
pola oznaczone - To pole jest wymagane do złożenia zamówienia. - są wymagane
Strona korzysta z plików cookie w celu realizacji usług zgodnie z Polityką dotyczącą cookies. Możesz określić warunki przechowywania lub dostępu do cookie w Twojej przeglądarce.