Groove'ujący album kluczowy dla formującej się w 1982 tożsamości portugalskojęzycznej Gwinei Bissau, nagrany z wykorzystaniem euro-instrumentarium.. Autora wyproszono po nim z kraju za krytykę złodziejskich elit.
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Originally released in 1982, on Cobiana Records.
Limited deluxe version of 500 copies on 180 gram vinyl, with insert and tip-on cover.
Tustumnhos di Aonti can be defined as “a testimony of the weakness of yesterday.” The album is an African Groove made with European instruments, but with its heart and soul deeply grounded in Guinea-Bissau. The eight tracks represent Ze Manel’s (member of Super Mama Djombo) poetic yet frustrated account of what was happening around him. “Love is a social thing, when I see something I don’t like, I sing it in my way. About the people. The people are never wrong.”