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The American Negro (Trifold)

The American Negro (Trifold)
Nr kat.: JIDED1LP
Format: 2LP
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W magazynie
Wysyłka w 3 dni
Koszt od 13,99 zł
129.90 / 1szt.
In stock
  • PLAY ALL
  • 01 Revisionist History.mp3
  • 02 The American Negro.mp3
  • 03 The Black Broadcast.mp3
  • 04 Revolutionize.mp3
  • 05 Double Consciousness.mp3
  • 06 Watch The Children.mp3
  • 07 Dying On The Run.mp3
  • 08 Intransigence Of The Blind.mp3
  • 09 James Mincey Jr.mp3
  • 10 Disadvantaged Without A Title.mp3
  • 11 Mama (You Will Make It).mp3
  • 12 The Black Queen.mp3
  • 13 Margaret Garner.mp3
  • 14 Race Is A Fallacy.mp3
  • 15 Light On The Horizon.mp3
  • 20 The Death March.mp3
  • 24 Patriotic Portraits.mp3
  • 25 George Stinney Jr.mp3
  • 26 Sullen Countenance.mp3

 

The American Negro is an unapologetic critique, detailing the systemic & malevolent psychology that afflicts people of color. It should be evident that any examination of black music is an examination of the relationship between black & white America. This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche. With an elaborate orchestral and soulful display, The American Negro re-invents the black native tongue: a politically conscious LP with a prescription to eradicate hate in America. "The American Negro is the most important creative accomplishment of my life. This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people": Adrian Younge is a multi-instrumentalist, film composer and producer with an analog studio and record store in Los Angeles. He is a member of The Midnight Hour and has produced for entertainment greats ranging from Jay Z, Kendrick Lamar and Wu Tang Clan. He's composed for television shows such as Marvel's Luke Cage (with Ali Shaheed Muhammad), and films including Black Dynamite. He owns the boutique record label, Linear Labs, and is co-owner of Jazz Is Dead. When he's not working on scores for major studios or networks, he's making albums that speak to his own artistry. For The American Negro, Younge not only wrote, but played every instrument of the album's rhythm section; he also orchestrated a 30-piece orchestra and recorded them in his analog studio.

 

 

 

 

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