Informacje o produkcie

Spirits Of Mauronoros

Spirits Of Mauronoros
Label: Veego
Nr kat.: VR037
Format: LP
Styl: Jazz, Greek
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Koszt od 16,99 zł
139.90 / 1szt.
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  • PLAY ALL
  • 01 Anthony Joseph Sciacca.mp3
  • 02 Exiles In Aegean.mp3
  • 03 Pangea's Journey.mp3
  • 04 Hymn.mp3
  • 05 Entering Cassiopeia.mp3
  • 06 Free For All.mp3
  • 07 Spirits Of Mauronoros.mp3
  • 08 Kolida Balkanesque.mp3

 

Kolida Babo is the collaboration between two Greek woodwind musicians from separate regions - Socratis Votskos is from Pella, and Harris P. is from Athens. Their self-titled debut album was recorded in improvised live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece in winter 2013. They explore the ancient music of Armenia and the folk traditions of northern Greece’s Epirus and Thrace regions alongside abstract electronics and free jazz.

Their debut album was released by MIC Records (London) in 2019 to rave reviews. Other notable releases include the Jazzman Records jazz45 series and the soundtrack for the documentary ''Gospel of Michiel'' and "Loxy". Their music was supported by BBC 6Music, BBC Radio 3 - Late Junction, NTS, Soho Radio, WorldWide Fm as well as the Greek National Radio. Last but not least, they have performed in various places around Greece and Europe including festivals like CTM, Archipelago Festival and Vinterjazz Festival.

In their second full-length album Spirits of Mauronoros set to be released in 27/09/2024 by Veego Records, Kolida Babo revisit an old forgotten place in northern Epirus Greece, near the Greek-Albanian borders.

A spiritual music journey dedicated to the old village of Mauronoros (Black Mountain) and its people. This village is one of the many villages in Greece that is totally abandoned as a result of the economic crises and cultural changes that Greece faced in the last century. This profound depopulation of the area left behind ruins that echo its past trials and tribulations. However the traditional sounds of the village keep reappearing in urban centers like ghosts that haunt everyday life. This sonic dialogue between "modern" and "traditional", between "the peaceful countryside" and " turbulent urban centers" sometimes looks irrelevant and outdated but is of great consequence. It transports the listener in an unspecified time and place devoid of any cultural and geopolitical connotations and thus leaves them wondering for a freer and more authentic way of life.

 

 

 

 

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