Taneczny, grime'owy(!) jazz od londyńskiego Questlove'a. Odświeżająca i świetnie brzmiąca płyta. Postać znana z grania z Four Tetem, Sons of Kemet, ale i ze ścieżki Beyoncé do „Króla Lwa”
Since being touted as jazz's next big thing back in 2014, Moses Boyd has released very little music, though the few EPs he has put out have been uniformly superb. We'd expect plenty of hype around this debut album, but we can assure you it will be deserved. Boyd is a drummer by trade and it's the variety and quality of the rhythms - some framed by traditional jazz, others hip-hop, grime, dubstep, dancehall and Tony Allen style Afrobeat grooves - that really stand out, despite the presence of fuzzy, Fela Kuti style horn motifs, booming basslines, Juju guitar solos, liquid jazz-funk flourishes, dark trip-hop tropes and some suitably inspiring vocals. Boyd may have taken his time, but it was definitely worth the wait.