Informacje o produkcie

Earprints

Earprints
Label: DDS
Nr kat.: DDS028
Format: 2LP
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W magazynie
Wysyłka w 2 dni
Koszt od 10,00 zł
109.90 / 1szt.
In stock
  • PLAY ALL
  • 01 Earprint Nr1.mp3
  • 02 Strange Ideas.mp3
  • 03 Earprint Nr2.mp3
  • 04 Walk On!.mp3
  • 05 Earprint Nr3.mp3
  • 06 Four Nine.mp3
  • 07 Earprint Nr4.mp3
  • 08 La Pluie Et La Seine.mp3
  • 09 Earprint Nr5.mp3
  • 10 The Joint.mp3
  • 11 New York Mary Disaster.mp3
  • 12 Born Under A Rhyming Planet At The Foot Of The Odenwald.mp3
  • 13 Earprint Nr6.mp3
  • 14 Bar Rock.mp3
  • 15 Earprint Nr7.mp3
  • 16 Instructions.mp3
  • 17 Deductions (Who Can Get Me The Phone For Mark Or Hollis Or Tim Friese Greene).mp3
  • 18 Earprint Nr8.mp3
  • 19 Die Implosion Des Sterns (..Und Das Absolute Nichts Danach).mp3
  • 20 No Balls.mp3

 

After a slew of acclaimed releases by Equiknoxx, Robert Aiki Aubrey Lowe, Shinichi Atobe and Mica Levi in 2017, Demdike Stare's DDS start 2018 in typically unexpected style with a remastered reissue of David Moufang (Move D), Karl Berger, Jamie Hodge, Gunter Kraus and Jonas Grossmann's gorgeous sophomore Conjoint album, Earprints (2000).
Conjoint was the little-known but hugely regarded ensemble founded by David Moufang two decades ago, featuring techno pioneer Jamie Hodge, Deep Space Network's Jonas Grossmann, acclaimed jazz guitarist Gunter Ruit Kraus and, most intriguingly - Karl Berger (Jazz Pianist and Vibraphone player for Ornette Coleman, Don Cherry and George Clinton to name but three).
The ensemble are accompanied on Earprints by Andrew Pekler, Anna-Lena Fiedler, Burkhard Höfler, and Kai Kroker, among many others, and flesh out a full frequency spectrum of instrumental and electronic timbres, precisely yet louchely coalescing a timeless and cool blue sound that is entirely respectful to its roots, yet dares to imagine them in an altered context. In that respect it's an influential, memorable precursor to Jan Jelinek's acclaimed Loop-FInding Jazz Records that was eleased the following year.
Democratic in its construction and flush with pregnant contemplative space between and around the notes, the lasting impression made by Earprints is indelibly classic, quietly awaiting immersion by a new wave of listeners who will no doubt marvel at its many charms.
If you're into late night listening and have followed the work of Move D, Miles Davis, Tortoise or Jan Jelinek's frayed, late night Jazz minimalism - this one's for you.

 

 

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